“She wore a silver belt with stars cut out of it, so that the stars were there and not quite there–and watching them Sam knew that he had not quite found her yet. He wished for a moment that he were not so entirely successful nor Mary so desirable–wished that they were both a little broken and would want to cling together. All the evening he felt a little sad watching the intangible stars as they moved here and there about the big rooms.” F. Scott Fitzgerald, “Day Off from Love”
A collection including the last complete unpublished short stories by F. Scott Fitzgerald, the iconic American writer of The Great Gatsby who is more widely read today than ever.
I’d Die For You is a collection of the last remaining unpublished and uncollected short stories by F. Scott Fitzgerald, edited by Anne Margaret Daniel. Fitzgerald did not design the stories in I’d Die For You as a collection. Most were submitted individually to major magazines during the 1930s and accepted for publication during Fitzgerald’s lifetime, but were never printed. Some were written as movie scenarios and sent to studios or producers, but not filmed. Others are stories that could not be sold because their subject matter or style departed from what editors expected of Fitzgerald. They date from the earliest days of Fitzgerald’s career to the last. They come from various sources, from libraries to private collections, including those of Fitzgerald’s family.
Written in his characteristically beautiful, sharp, and surprising language, exploring themes both familiar and fresh, these stories provide new insight into the bold and uncompromising arc of Fitzgerald’s career. I’d Die For You is a revealing, intimate look at Fitzgerald’s creative process that shows him to be a writer working at the fore of modern literature—in all its developing complexities.
For many reasons, it borders on the absurd that I am reviewing a collection of F. Scott Fitzgerald’s stories. I offer this recommendation with the full disclosure that not only am I an enormous Fitzgerald aficionado, but I am completely biased and sympathetic toward anything ‘Fitzgerald.’ Bearing this in mind…
From the editorial introductions, to a delightful collection of never before published photographs, to the rich and varied stories themselves, I’D DIE FOR YOU AND OTHER LOST STORIES is a rare treat, and one that should be savored. Editor Anne Margaret Daniel’s arrangement and contextual description of each of Fitzgerald’s writings not only provide fresh insights into one of America’s finest writers, but also demonstrate deep understanding of and empathy for her subject.
Lovers of Fitzgerald’s work will find echoes of Gatsby in stories like “Thumbs Up:”
“The two younger men started back toward shore in the dinghy and the hands that waved to them from the yacht as they gradually lost sight of it in the growing dark were like a symbol that the cruelty of a distant time was receding with every stroke of the oars into a dimmer and dimmer past.” (p. 186)
Flashes of his genius in describing the nature of his characters in “Nightmare:”
“[H]e felt dissatisfied with the physical attitude she had assumed–somehow standing in the doorway like that betrayed the fact that her mood was centrifugal rather than centripetal–she was drawn toward the June afternoon, the down-rolling, out-rolling land, adventurous as an ocean without horizons. Something stabbed at his heart for his own mood was opposite–for him she made this place the stable center of the world.” (p. 20)
And Zelda. Zelda everywhere:
“The girl hung around under the pink sky waiting for something to happen. She was not a particularly vague person but she was vague tonight: the special dusk was new, practically new, after years under far skies; it had strange little lines in the trees, strange little insects, unfamiliar night cries of strange small beasts beginning.” (p. 41, “What to Do About It”)
I confess that–like everything Fitzgerald–on these pages hangs a looming sadness. Even in the slivers of hope, knowing the whole Fitzgerald story casts a shadow. One will marvel, however, that even as Fitzgerald faced the darkness of professional rejection, personal crisis, and familial devastation, he was able to produce such an abundance and variety of material, and often infused with such hope.
I’D DIE FOR YOU AND OTHER LOST STORIES is one of the most genuine books I’ve read all year. Unfiltered Fitzgerald is a treat, and Daniel’s expertise and admiration warm the pages of the stories. The way Daniel chooses to end the collection leaves last notes of satisfaction, contentment, and yearning. Fans of short fiction and those interested in delving more deeply into Fitzgerald’s body of work will be smitten with this collection.