“All these years, her family had humored her artistic aspirations: Father built her a tiny art studio off his office; Marmee let her draw on the walls of her bedroom; Louisa permitted her to illustrate Little Women. But May always suspected, deep down, they didn’t believe she was an artist, not in the same way that Louisa had always been considered one. Was it because Louisa suffered for her writing? Must one suffer for art? May certainly hoped not.” Elise Hooper, The Other Alcott
We all know the story of the March sisters, heroines of Louisa May Alcott’s Little Women. But while everyone cheers on Jo March, based on Louisa herself, Amy March is often the least favorite sister. Now, it’s time to learn the truth about the real “Amy”, Louisa’s sister, May.
Stylish, outgoing, creative, May Alcott grows up longing to experience the wide world beyond Concord, Massachusetts. While her sister Louisa crafts stories, May herself is a talented and dedicated artist, taking lessons in Boston, turning down a marriage proposal from a well-off suitor, and facing scorn for entering what is very much a man’s profession.
Life for the Alcott family has never been easy, so when Louisa’s Little Women is published, its success eases the financial burdens they’d faced for so many years. Everyone agrees the novel is charming, but May is struck to the core by the portrayal of selfish, spoiled “Amy March.” Is this what her beloved sister really thinks of her?
So May embarks on a quest to discover her own true identity, as an artist and a woman. From Boston to Rome, London, and Paris, this brave, talented, and determined woman forges an amazing life of her own, making her so much more than merely “The Other Alcott.”
This is the second novel of May Alcott I have read, and I enjoyed this every bit as much as the other. Both stories focus on different aspects of May, highlighting times and places in unique ways, with THE OTHER ALCOTT giving special attention to the relationship between the sisters: May and Louisa.
Hooper has done a marvelous job showing a flawed character who is a delight, even when she stumbles. Like Jane Austen’s Emma, May is charming and her struggles are relatable. Her need to carve an identity of her own is palpable and drives her brilliant arc as an artist and a woman.
Lovers of history will be intrigued by the sketches of figures both well known and unknown, and Hooper gives just enough detail to enhance the story without overburdening it. I spent hours online looking up the supporting and leading characters of the novel, and was fascinated by the talented men and women in the Alcotts’ lives.
If you enjoy biographical historical fiction about women that spans the globe, you will enjoy THE OTHER ALCOTT. This is Hooper’s debut, and I am eager to hear what she’s working on next.
For more on the book or the author, visit: http://www.elisehooper.com/